KUBRICK NEWS IN BRIEF ~ NOV 17, 2017

Bloody Disgusting reports on a new line of vinyl collectibles being put out by Funko featuring four figurines based on characters from The Shining. My favorite? Frozen Jack! Find out more at the link!

***

This summer, in advance of a concert given in Ottawa featuring some of the most iconic pieces of music used in Kubrick's films, the Ottawa Citizen newspaper interviewed our ubiquitous friend and Kubrick estate spokesman Jan Harlan, and even though the concert is long done with, the interview is well worth revisiting. It begins:

Q: What was Stanley Kubrick’s taste in music like? What enthusiasm did he have for music outside of the role that it played in his films?
A: As a young man he was a drummer in a band. He certainly knew how to distinguish — music as a possible pillar to support the structure of a film is one thing, music for pure enjoyment is another. Two great works he loved very much were never considered for one of his films: The Brahms Requiem and the Schubert Quintet in C.

If that's the kind of behind the scenes Kubrickeana that you just can't get enough of, then by all means keep on reading.

***

In this article about the BBC's 100 Best Comedies of All Time (in which Kubrick's Strangelove comes in 2nd after Wilder's Some Like It Hot), Toronto Star movie critic Peter Howell discusses the ways in which movie critics frequently (and unfairly, in his opinion) get a bad rap when it comes to their capacity to appreciate comedy. It's worth checking out for Howell's brief insights into the nature of the laughs generated by Kubrick's jet black satire.

***

The title of this Gizmodo article says it all: These Original Artworks From the Making of 2001: A Space Odyssey Are Spectacular.

***

With the successful release in recent months of IT in theaters and Gerald's Game on Netflix, certain media have taken to discussing what it takes to make a truly great cinematic adaptation of Stephen King's writing, with Kubrick's The Shining frequently popping up as an example of said greatness (and, occasionally, as a failure, but that's mostly from King himself). Scott Tobias' piece for the Hamilton Spectator, titled The Secrets to Making a Great Stephen King Adaptation is a pretty good example of the genre.

***

So apparently someone made an incredibly cool game not-so-loosely based on Kubrick's 2001: A Space Odyssey, and apparently, according to this stellar review at least, it's fucking amazing. It's called 2000:1 (Two Thousand to One): A Space Felony, or: How I Came to Value My Life and MURDER Mercilessly. Can you beat that for a Kubrickean title!? Nope. You can't. Check out this video preview, then visit the links above for more information about gameplay, etc. This thing looks good enough to drag me back into gaming, which is something I haven't indulged in for almost a decade now.

***

Those of you who are fascinated by Kubrick's early work as a "boy wonder" photographer for LOOK Magazine are definitely going to want to check out Philippe D. Mather’s recent book Stanley Kubrick at LOOK Magazine: Authorship and Genre in Photojournalism and Film. It features recently uncovered images from 1946, when Kubrick was only 16, which portray his beloved New York as a paradoxical place of beauty and ugliness, darkness and light.

***

Were you aware that, in 2001: A Space Odyssey, during the scene where Dave Bowman and the HAL 9000 computer play a friendly game of chess... HAL appears to cheat? Of course, if you're reading this blog, it's more than likely that you ARE aware of this fact. Furthermore, it's probably more than likely that you're also aware of the myriad theories as to why Kubrick included this little tidbit in his film. Just in case you're not already fully aware of the speculation surrounding this brief moment in 2001, SyFy.com lays it all out for you. They also provide a link to this delightful, new-to-me New York Review of Books article by Jeremy Bernstein--the guy who produced one of the best Kubrick interviews ever, and was smart enough to record it and KEEP his recording--about precisely how clever Kubrick could get when it came to chess.

***

And, finally for this edition of KNIB, we say goodbye to character actor Barry Dennen, who played Bill Watson in Kubrick's version of The Shining, but who will most likely be better remembered for his passionate and iconic portrayal of Pontius Pilate, both on Broadway and in the film version of Jesus Christ Superstar. He was 79 years old.

KUBRICK NEWS IN BRIEF - DEC 26, 2016

H. Perry Horton's Film School Rejects article, I Am a Camera: The Photos of Stanley Kubrick in the Films of Stanley Kubrick, pretty much serves only as an introduction to Candice Drouet's short but fascinating video, entitled "Kubrick: Photos and Films", in which she juxtaposes old photographs from Kubrick's LOOK Magazine days with scenes from his films, and which you can watch here and now...

***

Kubrick fans might do well to keep an eye out for Connor Provenzano's upcoming documentary, Focused Life, in which he examines the yogic concept of kundalini as it pertains to the fine art of paying attention, something which has become vitally important in recent years, thanks to the unchecked evolution and spread of psycho/cybernetic mechanisms of control, both online and off, in recent years. In an interview with SLUG Magazine, Provenzano, when asked about his major film influences, replied: "Stanley Kubrick is one that has a big influence on a lot of filmmakers, but he’s also had a huge influence on me. The risks that he was taking with his stylistic elements were really beautiful and intense. What I realized later was that a lot of filmmakers who were influenced by Kubrick were those that I was naturally drawn to. It’s almost like there’s this lineage of influence that I feel like I’m a part of." I'll know I'll be keeping my eyes peeled!

***

Did you know that the Minnesota Opera Company put on a musical stage production of The Shining this year, composed by Paul Moravec with libretto by Mark Campbell, and that it got really good reviews? You used to be able to hear the whole thing online for free, but unfortunately that was a time-sensitive offer that has already run out. At this link, however, you will find a photo-filled, scene-by-scene breakdown of the entire opera. As soon as the audio becomes available again, I will be posting it here.

***

Vivian Kubrick made a surprise appearance at a screening of The Shining organized by the Cucalorus Film Festival in Wilmington, North Carolina last month, alongside two of the people responsible for helping Kubrick achieve the now iconic "look" of the film, Steadicam originator Garrett Brown and camera wizard (and Wilmington native) Joe Dunton. As part of her appearance, Vivian showed 10 minutes of previously never seen footage from the shooting of her BBC documentary "The Making of The Shining", in which she gives a tour of part of the film's set to visiting Japanese businessmen. Again, should that footage ever appear online, you can be sure that I will be linking to it here at Kubrick U!

***

Is that a monolith on your planet? Or are you just happy to see me? The indefatigable conspiracy and alien-hunter "Tyler", of SecureTeam10, claims to have discovered a massive, miles-high "monolith" on the surface of the planet Murcury. Follow the link to read more, and to see a 20 minute video detailing why this anomaly isn't a "doorway", as first thought by those who stumbled across it, but indeed, is a monolith, as made famous in Kubrick's film 2001: A Space Odyssey. We report, YOU decide!

***

Noted Kubrick fan Bilge Ebiri over at VULTURE (and it's nice to see that he's still doing these think pieces despite having scored a new gig as lead film critic for The Village Voice) asks a question with particular relevance to the object of our obsessive affections: What Happens When Filmmakers Raid Dead Directors' Unmade Projects? The impetus for asking this question is True Detective helmer Carey Fukunaga taking up Kubrick's unmade passion project Napoleon as a multi-episode series for HBO, but Ebiri clues the reader in to a number of other interesting projects, both past and future. Well worth the read.

***

After Moonwalkers and Operation Avalanche -- never mind Room 237, Dark Side of the Moon, and a host of "documentaries" by Youtube auteurs -- does the world need yet another movie exploring the idiot notion that we never went to the moon and that Stanley Kubrick secretly filmed the hoaxed footage on a soundstage in London? I guess we're about to find out.

***

Britney Spears' new video, "Slumber Party", features sequences at a party that Britney, herself, asked the director to make "like a younger version of Eyes Wide Shut". Forgive me for sharing it here with you all, but hey, it falls under my "collecting Kubrick related ephemera" mandate...

***

I have yet to read Kubrick's erstwhile manservant Emilio D'Allesandro's memoir, Stanley and Me: Thirty Years by His Side, but this Los Angeles Review of Books critique by Zack Sigel really makes me want to, even though it manages to tease out a far less than flattering image of Kubrick from D'Allesandro's fawning tribute. After a perhaps somewhat overly psychoanalytic parsing of D'Allesadro's account, Sigel does manage to point out an anecdote that managed to draw a smile through the fog of cynicism:

In Rome, D’Alessandro visits a museum exhibition of Kubrick’s personal effects and finds that every item signifies a fleeting moment shared with the late master: handwriting he had recopied, a string he had tied to Kubrick’s Eyemo camera. It’s as much Stanley’s gallery as Emilio’s. He can’t resist reaching out to grasp the past, his past, these artifacts from a distant age. A museum attendant stops him. “Come on,” he tells the attendant. “I must have already touched it millions of times! If you had any idea how much cat’s pee I’ve cleaned away from under there, you wouldn’t stand so close!”

YET ANOTHER KUBRICK DOCUMENTARY SHORT

This one is called Eyes Wide Open, and it's all about Kubrick's early still photography. And it's only 10 minutes long! Enjoy!