Julienne Davis, the actress who played doomed model and cult ritual participant Mandy Curran in Eyes Wide Shut, has penned an interesting essay about the perils and pitfalls of instant infamy for Heat Street. It begins:
At the height of my so-called “fame” I remember a conversation I had at a party I had with one of London’s top paparazzi photographers. He and others had taken many pictures of me which had featured in leading British publications and whatever foreign publication they could tout pictures to increase their cash flow via syndication.I said to him, “Thank you for not following me to my flat or camping outside my door – that scenario must be awful for some celebs.” His response? “Well you haven’t done anything bad yet…”It's an interesting, somewhat eye-opening read, blessedly free of pathetic confessional or pity mongering emotional manipulation. Davis roped a whirlwind and enjoyed the ride. Bravo!
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To be honest, I have no idea who Kieran Leonard is, but this "neo-folk" musician apparently had a weird-ass couple of months writing, recording and producing his latest album... a couple of months that included him spending some time with Kubrick's grandson, Jack Hobbs, laying down some tracks with him at the Kubrick estate, Childwickbury Manor. So I guess he merits a mention here.
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One of the great things about putting together this blog is the fact that, every once in a while, despite having read every book and article in existence on the topic, I still manage to learn something new about my favorite director. Things like the fact that Gerald Fried - Kubrick's Bronx high school classmate, and the talented composer who created terse, modernist scores for Day of the Fight, Fear and Desire, Killer's Kiss, The Killing, and Paths of Glory - may have earned his way into Kubrick's early collaborative circle by securing a spot for him on a local baseball team for which Fried played (that this team was called the Barracudas only adds to my delight). The rest of this wonderful interview with Fried, who is still kicking and making music at 88, is also worth reading.
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