Friday, July 12, 2019


Here's "The Mirror", yet another wonderful video essay from our friend Anton Halldin, creator of the vast and intriguing Space: 5001 project. Be sure to subscribe to his Youtube channel, and check out his Twitter account.

”I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.”
- Stanley Kubrick

Saturday, June 29, 2019

2001: A SPACE ODYSSEY IS A HALL OF MIRRORS ~ A video essay by Anton Halldin

Our good friend Anton Halldin, from Gothenburg, Sweden, the man behind the epic work of obsessive Kubrickean analysis known as, has been kind enough to send along his latest creative work. 

2001: A Space Odyssey is a Hall of Mirrors is a hypnotic video essay in which he posits that Stanley's well-known penchant for symmetry and matching shots is far more than a mere stylistic conceit, and that a more accurate cataloging of all the instances in which he uses his mirroring techniques could possibly lead to a better understanding of the myriad mysteries contained within his films... 2001 in particular, of course. Enjoy!

Tuesday, November 13, 2018


Canadian stage legend Douglas Rain, the actor and entrepreneur who co-created the world-famous Stratford Shakespeare Festival and was most famous for voicing the murderous computer HAL-9000 in Kubrick's 2001: A Space Odyssey -- as well as Peter Hyams' 2010: The Year We Make Contact and a number of remarkable SCTV parody sketches -- passed away at home of natural causes at the age of 90.

Most people aren't aware that Rain was only hired after principle photography was completed, with HAL being voiced by veteran actor Martin Balsam of falling-backwards-down-a-staircase infamy in Psycho. During post, however, Kubrick found the gruff Balsam's voice was “too colloquially American,” and cast the Canadian actor after hearing his narration in the 1960 documentary Universe (which itself was a huge influence on 2001, particularly in the special effects department). In a letter to a colleague, Kubrick remarked that Rain's voice, “is neither patronizing, nor is it intimidating, nor is it pompous, overly dramatic or actorish. Despite this, it is interesting.”


SCTV 2001 PARODY featuring Douglas Rain as HAL-9000

Thursday, July 5, 2018


Kubrick fanatics, today we've hit gold. UNBELIEVABLE new material, never before seen, from a Japanese documentary that never got completed. All new interview (over the phone with Stanley, but it's definitely him) and tons of paranormal discussion. FASCINATING!

Saturday, May 12, 2018


This is pretty much the Holy Grail of Kubrick interviews. Definitely the latest in-depth audio interview we have from Stanley. The interview was run in the print version of Rolling Stone Magazine in the run-up to the release of Full Metal Jacket. THANKS, to!

Friday, May 11, 2018


Loudwire has put together a list of 12 killer tunes that were inspired by the Stanley Kubrick classic film of the Anthony Burgess novel A Clockwork Orange. So if you've got Spotify, you can use this playlist right here...

If you DON'T have that app, no worries. You can find all of the above songs at the link... with the added bonus that most of them have videos with visual elements that are also taken directly from the film! Some of the selections will be a surprise, while some will be obvious. But, as the website notes:
Be it the novel or the cine, countless musicians have been inspired by A Clockwork Orange. From lyrics to costumes to artwork, these artists have found a way to take a timeless masterpiece and turn it into their own work of art. Below, you can find ten rock songs that have been influenced by A Clockwork Orange, as well as tons of spoilers for those who have not yet viddied or read it, so proceed with caution!
Here's my favorite of the bunch (and it's a late addition, making the playlist but not the article):


Oh dear God, this work of art, in which a movie camera is shown in cutaway with the interior full of movie scenes (including multiple Kubrick films), is beautiful. And what makes it even better is the fact that the camera in question is an Arriflex 35 IIC, one of Kubrick's favorite cameras, and the one he used extensively, hand-held, for Clockwork Orange. If I had walls worthy of this masterpiece, I'd scarf it up in a heartbeat.


Music and art act Tom and Hebron have put together a tribute song/video to celebrate the half century anniversary of the release of 2001: A Space Odyssey. It's gorgeous. Enjoy!


Horror News Network reprinted excerpts from a discussion in which David Fincher talks about the notion of a cinematic auteur. One stand out bit:
Steven Spielberg once told an incredible anecdote about visiting Stanley Kubrick in post production. They way Spielberg told it, he once asked Kubrick why he was looking at the same shot on eight different monitors. Kubrick explained that they were actually eight very slightly different takes and proceeded to explain the minor differences between each take. As a viewer, Spielberg- a clear master of profession as well- simply wasn’t looking for the same thing out of the image as Kubrick, who was attempting to perfect his vision, so the subtleties were lost on Spielberg as a viewer because all of the shots were likely near-perfect.
Click HERE if you'd like to know what Christopher Nolan would ask Stanley Kubrick if he had the chance to ask him only one question. Actually... never mind, I'll just tell you. Actually... never mind. I'll just let HIM tell you. Check out the video beneath to find out.

Should I even bother mentioning that a director has been chosen for the "sequel" to The Shining, called Doctor Sleep? I mean, it's going to be a sequel to the novel (and, one assumes, the absolutely dire Stephen King TV miniseries), and NOT to Kubrick's masterpiece distillation/re-imagining of King's novel. So this will probably be the last time I mention it, unless director Mike Flanagan (who admittedly did a very good job with King's Gerald's Game for Netflix last year) says something stupid about Kubrick's film.
People are calling this ad for a doubled-up Christmas sweater "Kubrick-esque". Aside from the Shining Twins (and Kubrick's obsession with doubling in general), and the slow zoom and the perfect symmetry of the shots and the willful breaking of the 180% rule... can't say's I see it!


Noel Vera has cooked up one of the more intriguing critical appraisals of Kubrick (and Nabokov)'s Lolita that I've ever read. It's well worth your time. And then, when you're done reading that, why not move on to this Conversation article by Margaret Leclere, in which she argues that it's time for Nabokov's legendarily huge and "unfilmable" screenplay got its due. Personally, I'd love to see it come out in book version, at least, and have always said so. Filming it, I imagine, would be an incredibly difficult proposition. But it sure would be interesting!

J.M. Tyree's appreciation of one of Kubrick's finest transition moments - maybe even his second best after the bone-into-satellite transition from 2001 - is a fun and insightful read that has enhanced my own appreciation for said moment. Can you guess which transition it might be? Click through for a pleasant surprise, and a damn fine piece of writing!

Say hello to the newly-discovered Dendropsophus kubricki, aka Kubrick's Tree Frog! Why Kubrick, you ask? Well, it's probably got something to do with the distinct coloration of the markings on its body, and also with Anthony Burgess once explaining the title of his novel A Clockwork Orange by saying: "I've implied the junction of the organic, the lively, the sweet - in other words, life, the orange - and the mechanical, the cold, the disciplined." You can find out more, HERE.

As a former member of my own alma mater's college paper, it's always a nice for me to run across some quality, punchy writing in a current student newspaper. And this delight is only compounded when that writing is about a subject so dear to my own heart as the works of Stanley Kubrick. So check out Ryan Suppe's funny love letter to his cinematic crush (weren't we all there at some point), titled Kubrick: Criticizing the Greedy, Rich and Powerful Through Art.

The great Jordan Peele explains how he snuck a Kubrick reference into his excellent, Oscar-nominated film, Get Out.


Well, this is an interesting project. The Bartlett School of Architecture's Interactive Architecture lab has put together a multifaceted project called Neural Kubrick, which kind of like... well... here, I'll let them explain it:

Stanley Kubrick in 1968 speculated on the arrival of human-level Artificial Intelligence in “2001 A Space Odyssey”. Some 16 years past his prediction, our project “Neural Kubrick” examines the state of the art in Machine Learning, using the latest in “Deep Neural Network” techniques to reinterpret and redirect Kubrick’s own films. Three machine learning algorithms take respective roles in our AI film crew; Art Director, Film Editor and Director of Photography. 
The outlook of the project is an artist-machine collaboration. The limitations of the machine are achieved by the artist and the limitations of the artist are achieved by the algorithm. In the context of the project, what the machine interprets is limited to either numbers, classification of features or generation of abstract images. This output is curated by us into a coherent narrative, translated back into human perception. 
The project is based on Stanley Kubrick’s movies as input for three machine learning models, namely The Shining, A Clockwork Orange and 2001 A Space Odyssey. The generated videos display a machinic interpretation of the three movies, through a collaborative effort between the artist and the algorithm.
Simple enough, right? No? Okay, maybe this "introduction video" will clear things up.

Wednesday, April 18, 2018


After walking the Earth like a Jolly Green Giant for 74 years, Marine turned actor R. Lee Ermey has passed away. And on April 15, my birthday, no less. 

Why not take a moment out of your day to enjoy this incredible, star-making six-minute tour de force performance that opened Full Metal Jacket in the most unforgettable way imaginable?

Saturday, April 14, 2018


Things are looking bleak on the Webby Award front for our man Stanley! He is currently in FIFTH PLACE (out of five) in the running for the category having to do with social media presence. So get in there and VOTE! It's free, and you can piggyback of Twitter or Facebook, so there's no need to create a new ID for it. The time is now, folks! Let's boost him right over the top, so he can have a Webby spring to go alongside his Oscar and his Golden Lion!


And the best part is, it's parked right next to a small mountain range named after Arthur C. Clarke! Take a look! Click on the image below to enlarge.

Tuesday, March 6, 2018


Recognize the Shining Twin on the left? That's none other than Bruce Willis, hand-in-hand with his assistant, Stephen J. Eads, as they skip towards director M. Night Shyamalan’s annual "Shyamaween" party in Philadelphia. Shyamaween is an annual charity event to raise money for the M. Night Shyamalan foundation, the director’s organization that combats poverty.


From the ridiculous to the sublime: Matthew Woodson's new painted poster for 2001: A Space Odyssey is a real beauty.


Jamie Stangroom interviews Louise and Lisa Burns, better known as The Shining Twins, and they're just as charming today as they were creepy 40 years ago!

Anybody know where we can find a copy of the new documentary short that accompanied the UK theatrical re-release of The Shining late last year? I've looked around but so far have had no luck. If any of you run across it, please send it my way!


Check out this whining, repetitive idiocy about how that mean old baddy Stanley Kubrick tortured Shelly Duvall on the set of The Shining and how nobody would stand for that sort of treatment nowadays. Yes, well, considering the state of film today...

So Tony Zierra, the director of Filmworker, the documentary about Leon Vitali, has decided that his next documentary is going to be about Eyes Wide Shut.  Titled “SK13,” it will offer an inside look at the making of the film. Zierra says the appeal is that it is the one film of Kubrick’s that people are still divided on: “The one movie that I feel is the wrinkle in Kubrick’s filmography is Eyes Wide Shut. The people that love him always say, ‘He’s a genius, but I’m not sure what the hell that movie was about.'” No release date for the documentary has been announced as yet.

If you're a fan of Mr. Robot, you're probably already aware that this is a show where the Kubrick references fly fast and thick. This Hollywood Reporter article does a great job of breaking down all the many, many homages and references to Kubrick films found in the third episode of the third season of the show.

Any fellow font fanatics out there? I've always loved fonts and typefaces, and Kubrick's films have always been a source of beautiful treatments of text, so I love this short history of Futura, the first font to land on the Moon! It also, not so coincidentally, was a font featured prominently in the early promotional materials for 2001: A Space Odyssey.


The Guardian catches up with Danny Lloyd and helps him dispel a few rumors that have sprung up due to his absence from the movie biz after what should have been a star-making role in The Shining. This is a really comprehensive interview and is well worth the time and attention of any and all fans of The Shining or Kubrick in general. Lots of great tidbits to be had here. Too bad they weren't able to get into the recently developed theory that Danny is actually the villain in both the film and the novel! To learn more about this surprisingly convincing theory (or, if you're so inclined, to poke holes in it), then check out this essay.


Now here's an interesting project! The Shining 237 is Susan Kruglinska's podcast wherein she and a number of guests dissect The Shining in discrete two minute, thirty-seven second chunks. And guess what? Turns out there's a shocking amount of material to explore, including a bunch of stuff that was new to me, despite watching this movie well over a hundred times over the years. A wealth of material for Kubrick scholars. Definitely this is one to bookmark and return to with regularity.


In a KNIB full of Shining related links, this last one, from The Stranger, may be the most interesting: experimental musician Corey Brewer discusses creating a soundtrack to go along with everybody's favorite weirdo pomo film experiment, The Shining Forward and Backward, Simultaneously, Superimposed (about which more here). You can actually listen to this score at Brewer's bandcamp page, sans imagery of course. It's actually pretty impressive and makes for great nightmare fuel, if you're into that sort of thing.


This University of Chicago overview of a new course they offer that covers the history and cultural legacy of "the Nuclear Age" has got me to thinking... can any such course really be complete if it doesn't include both a viewing and a discussion about Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb? Lucky for the students at U Chicago, this course has both.


And speaking of university courses, how about this Rollins College class, as described in their independent school paper, The Sandspur?
For those with darker tastes, 'The Madness of Stanley Kubrick' may satisfy. The Psychology Department’s Dr. Paul Harris has been fascinated with the films of Stanley Kubrick ever since watching the original release of 2001: A Space Odyssey as a boy. 
“Every Kubrick film is unpredictable,” said Harris. “[A]nd every Kubrick film contains some element of madness as well.” This intersession will explore five Kubrick films, looking at “mentally ill characters in a mentally ill society—where’s the madness? Is it in the characters, or the context the society is in?” 
Harris, however, makes clear the distinction between madness and real mental illness. “Madness is fictitious,” he noted. “[The class] will be looking at Kubrick and how he uses madness as a dramatic tool.” In drawing the line between true mental illness and literary madness, this class serves well the purposes of those interested in psychology, film, sociology, and so on.
Definitely a course I would have loved to take, if I was still a student! Although I figure if I took it now, I'd probably ace it, considering I've spent most of my adult life steeping in Kubrick's films, as well as scholarship about his films.

John Mollo, who won an Oscar for his costuming work on Star Wars (the man created Darth Vader's iconic "look") and was one of the men whom Kubrick relied on to make sure the costumes in Barry Lyndon were perfectly appropriate to the era, down to every last ribbon of lace or ivory button, passed away near the end of last year. May he rest in peace.