In this excellent, thorough and wide-ranging
essay by
Donnie Darko auteur
Richard Kelly, he provides a wonderful, thoughtful examination of
Stanley Kubrick's final film,
Eyes Wide Shut, and
David Fincher's latest film,
Gone Girl, teasing out some rather startlingly cogent analysis by comparing and contrasting what both films seem to be trying to do, and where they both succeed, magnificently. He even gets in some conspiracy-worthy observations about the suspicious placement of plush lion dolls.
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